2023-04-27 06:07:09
Who among us does not wait for the artist Ziad Burji’s dialogue appearances, we wait for him to wait for the one who gasps for scoops. It is no wonder that Ziad is an artistic case that does not resemble anything but itself, but he is also a case with a set of cases, rather we say an artist with a set of contradictions, in his voice, poetry and music warmth of feeling, and in his identity The dramatic play is the humor of the indifferent, who searches for the illogical in things, and as for his attitudes, you see him thirsting for breaking events and creating arguments.
In his interview on Tuesday evening, via the Lebanon On website, with the media, Nada Andrews, who comes from behind the screens joining the ranks of the platforms in the Hard Talk program, promising to open files and bring regarding a change in the level of dialogues, my tower stops at several stations, sending implicit messages in all directions, but he He was able, with the instinct of logic and the sophistication of analysis, to come out with the least possible damage through a look that was described during the day as hot and garnered many, many comments.
On the surface, the session may seem fiery, dominated by the element of confrontation and accusations, but as soon as the guest receives his host, the friend dearest to his heart, in his home, the picture appears more intimate, as if it is a rehabilitation project, at least in the first axis of it. My sign lives in a situation of fluctuations, and goes through the most difficult crises?” The guest artist coldly replied that what he is facing is very healthy for a person who strives in a moving and non-static society, like any ambitious man who seeks the best, and he must face obstacles and get out of them with a set of lessons and lessons, adding that what he is facing today is a natural matter for an artist whose shares have risen and spread. His name today more than ever.
Directly and without introductions, the two interlocutors enter into his judicial battle without mentioning names, so the question comes, “On the subject of the artist Elissa, is Ziad Burji unjust or oppressed?” So the answer comes, “The wound must be healed in the way that was the disease,” stressing that in the law he is oppressed, and through this law he will defend this injustice, how not, and the law is the only means to restore the rights of citizens, and the bridge of passage to justice and thus to equality. And in the court ruling issued once morest him in his dispute with fellow artist Elisa, Burji considered that he was tried in absentia and did not submit his file and its reasons, deploring how a judge might prevent a composer from performing a song that he composed himself, such as preventing, for example, the late Asi Rahbani from singing “We are returning, oh passion, we are returning.” Or the musician Philemon Wehbe from the performance of “Min Ezz al-Num,” adding, “Is it possible that Lebanon is the only country in which it is forbidden for a painter to watch his painting, or for a composer to perform his song?” How can a judge allow millions of people to sing “Batir” while its author is forbidden to do so, imposing on him a fine of five thousand dollars in case he contradicts the ruling? Where is the justice in that? I may not be able to say that this ruling is illegal, but I can admit that it is unfair.” Burji continues in presenting the presumption of his self-defense, “Why do I have to pay in dollars as long as I am a Lebanese citizen residing on Lebanese territory, and the judgment issued once morest me is Lebanese and the state fees are in Lebanese pounds and the song is in the Lebanese dialect?” However, despite the unfairness of this arbitrary decision issued by a Lebanese judge once morest him, he returns and reveals publicly that he sang “Batir” two days ago in a nightclub.
And always on the artistic subject, Burji highlights the importance of the Society for Authors and Composers’ Rights (Al-Sasim) supporting the writer and composer of the song, and his tireless attempts to restore respect for their dignity and rights, especially following he discovered when he became a singer the extent of injustice related to their material rights in exchange for the huge profits that artists earn throughout their artistic career. .
From the artistic portal, the two interlocutors jump into the depth of the political reality, from the point of view of an artist who admits that he understands politics in his own way and according to his vision of the scene from outside its general framework, Burji begins to analyze what he considers a right for every citizen to see the scene as he wants, but it seems as if others They have lost trust towards each other, and the matter is justified, “because everyone ate the bait in the past when they fought a war once morest each other,” he said, and the country is in conflict while everyone is distracted by exchanging accusations and trying to cancel the other, repeating, “If we continue in this way, we will lose the homeland.” .
Burji goes on to present his criticisms of those who run the country and that they have contributed to its fragmentation rather than its advancement in what is known as defining common denominators among citizens, which enhances their trust in each other.
And because Ziyad is the son of his environment, he decided not to speak out publicly regarding what he believes in because he is an artist, and therefore he must remain a bridge for others to continue listening to his songs and endorse the ideas he presents. This was practiced on him through the “sectarian mosaic” that marked his private life. .
And before the end, a oud over a beginning, so the speech is silent so that the language of singing triumphs, how not when the oud is erect and lofty between the guest and the guest of the guest, and there must be a hum that moistens the flames of hearts in a look described as fiery, had it not been for its hearth, it would not have ignited its fuse until it returned and extinguished it once more. New Al-Ziyad is a song regarding children and childhood, “Think regarding us….”, written and composed by him. Didn’t we say the man of contradictions is!
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