The critic does not apply – or is supposed not to do so – only his theoretical criteria, away from people’s reactions and their orientation, which we notice in dozens of details, the most important of which is the orientation of the index.
For example, you have the series (Jaafar Al-Omda), which achieves the largest amount of the tyrannical masses in the street. Certainly, if you succumbed only to critical criteria, you would discover many errors that contradict the rules of drama, the principles of law, and the logic of logic, while the scene that has been repeated since the first days of Ramadan, that There are those who curse the series before the breakfast cannon, and later on the cannon. They search for it with the (remote control), gathering around the TV eagerly to receive the new episode.
Two main elements are achieving all this popularity: the writer and director, Mohamed Sami, and the star who heads the screen, Mohamed Ramadan. They are twins and chemistry.
Sami is the director of this generation who is more able to read the audience. He plays openly, promising the audience every time hot events and a harraqa lock. At the end of each episode, he completely reverses the dramatic situation, making you eager to watch the next episode.
People tend by the nature of their feelings to that melodramatic tinge that goes to extremes between white and black, permissible and forbidden, ice and fire. There is no character – even the characters of supporting roles – without distinctive features that have an excessive amount of exaggeration in behavior. The director does not find anything wrong with throwing his cards forcefully, especially in the surprising last scene, and then begins to search for a dramatic justification: marriage, murder, slapping, or betrayal. People’s eyes, the latent desire of the audience eager for the story will push him to become one of the most important factors in believing everything he sees outside of logic, so that he becomes logic.
While you discover series on Al-Maimana and Al-Maysarah, Hanjouriyya (Al-Bina’) claims politically and intellectually, suggesting that it is factional in its construction, presented to a class of intellectuals, while the truth confirms that the elite before the public did not believe it, “Let and knead”, and an intellectual teenager; Without any attraction, you have nothing but the pretense of creativity, so you fall away from people’s feelings, staggering with (popular apoplexy).
While the combination presented by Muhammad Sami with all this dramatic clamor is made on the mental image formed by Muhammad Ramadan, if you remove it from it, all this popularity will not be achieved, nor will all that mass.
The actors next to him come out of the artwork completely different from what they were before. A large number of them remain a number of motor and verbal imperatives, leaving space in the street.
A kind of popular drama that we have to deal with as it is “fired” (spicy) and with (oven fire), in which everything is more than what is customary, salt or sugar, the important thing is that it reaches the climax.
Of course, we are following the expected anger of women’s societies, given that (Jaafar) will lead to confirming the pattern of four-marriage, and I do not imagine that people deal with (Jaafar) in this way, as what they are following is not the reality, but rather what is following reality. For example, you have the ancient Cairo neighborhood (Sayeda Zeinab); Where the action takes place, it is impossible to glimpse an analogy between the truth on this street and the drama on the screen.
There are only those who want to believe (Jaafar) and before him (Hajj Metwally), realizing at the same time that they are just far-fetched dreams, whose credibility is not considered. There is nothing wrong for some men to feel a temporary state of pride and happiness, and the veiled euphoria erupted from the presence of (Jaafar) and his relationship with the beautiful women who are subject to him, each of whom waits for her night according to the schedule, and he is only entitled to deviate from the schedule according to his mood.
People do not imitate (Jaafar Al-Omda), and before him twenty years ago (Hajj Metwally), but they suffice to curse him before the breakfast cannon, then with (remote control) they eagerly search for him following the cannon!