“Horrible people”: Yanara Viera raises her voice for using her father’s song for political purposes | TV and Show

After the controversial statements of his sister Millaray, the oldest of the Viera-Aguirres, Yanara also referred to the viralized video where a person interprets the famous song of his father Gervasio, With a shovel and a hatduring a ‘rejection’ campaign event.

The eldest daughter of Gervasio and Mónica Aguirre, Yanara Vieraraised his voice regarding the use of a song of his father in campaign for the rejectionseconding what was stated by his sister Millaray.

It was during this weekend that a video showing a group of people gathered in Montt port to campaign for the ‘rejection’ option in the next plebiscite began to go viral.

What was particular regarding the video for many was that on a platform it is possible to see a man play the guitar and interpret With a shovel and a hatsong of the Chilean nationalized Uruguayan singer.

On the use of the theme, Yanara’s sister, Millaray Viera He had previously referred in a tweet where he stated: “Know, Twitter friends, that none of my brothers nor I, owners of the rights to my father’s songs, would ever endorse the use of his music in an act of these characteristics.

Later, as a response to the same tweet, the older sister of the Viera-Aguirre also raised her voice to refer to the controversy.

“Release my dad, horrible people”wrote Yanara in support of the communicator.

However, his statements did not end there, since in response to another user of the social network, Yanara Viera declared: “It is not the first time that the right wing makes use of their songs and it is not the first time that I have said something regarding it. A man playing guitar doesn’t matter, but they’ve even used it for radio and TV campaigns and there’s something called copyright. I can kick whatever I want”he accused.

video of the controversy

Although the record in question was uploaded to the Tik Tok microvideo platform, it was on Twitter following a user replicated the video that it began to go viral.

In it it is possible to see a group of people outside the Los Lagos Regional Intendancy building to campaign for the ‘rejection’ optionwhich will be present at the next national plebiscite to decide the promulgation or revocation of the new Chilean political constitution.

In the registry, the person who records consults those who are gathered what their vote will be, to which two of the people who appear on camera indicate that they will choose ‘rejection’.

While this is happening, the guitar chords of Gervasio’s song can be heard in the background, being interpreted by a man on a platform where the canvas of the aforementioned option rests.

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