To give you the story: In 2017, the hashtag “#metoo” ignited social networks, encouraging victims of sexual violence to share their testimonies. A few months later in Florence, Italy, the director Léo Muscato affirms that one can no longer “applaud the death of a woman”.
He then puts on the opera Carmen on stage and changes the ending. Following this production, the controversy over the role of the director once once more ignited: some approve and others say “it’s as if we were painting over the Mona Lisa. »
So, is it possible to reconcile the public? To try to answer, Laura Kubler chose opera Don Giovanni the Mozart
