4 whole years separated between “Zahra” in “Dima Amer” and “Ilham” in “The Street that Wants Rana”. After all these years, the great artist Lebleba returned to the television audience by working for the second time also with director Magdi El-Hawary, in a television work that brings her together for the first time. Artist: Mustafa Shaaban.
Lebleba and Adel Imam
The work discusses many important issues for society, through the character of “Mays Zahra”, the school director, who is trying to advance the school and solve its problems, through a plan and study that she is trying to implement, as she faces many issues.. She spoke in her dialogue with “Al Arabiya.net” regarding her return To sing through work, and backstage work, especially with filming in more than one governorate, and also focus on vitiligo issues and people of determination..
After 4 years, I returned to TV drama once more with “Dima Amer”, so what is the reason?
His case.. Work deals with an important issue, which is education. It is the most important thing in our lives, the future of our children and their minds, in addition to being the basis for the advancement of the country. In fact, the issue of work was the focus of my attention more than my role for which I was nominated. I believe that we have a role in life and we will leave it for generations. The new one that will complete the journey.
Flower jellyfish is a difficult character that she has not presented before
After that, I focused on the dramatic lines of the character “Mays Zahra”, which is the first time that I present the character of the school principal. I liked the role and its details and how she gave her life to science at the expense of her private life. She had never married in her life, because those who proposed to marry her were rejecting the idea She completed her education, which she objected to because she had dreams and ambitions in this field.. In addition to the presence of director Magdy El Hawary, she previously collaborated with him in the series “The Street that Wants us”.
Since it’s your first time as a “school principal”, how did you prepare for it?
The personality was not easy at all, so I resorted to my brothers to derive information from them, and a friend of mine helped me to interview the director of the International School, and I learned many details from her. In fact, that interview was the most important thing that helped me understand the personality and its dimensions and accurately draw its features, including how to deal with students and teachers, and I started I write in my mind everything that pertains to her, starting with the character’s look, the way she walks and her speech, in order to be able to present her well. I also gleaned some details from my scrutiny of her, such as tying the freshness to a chain dangling, and the “scarf” wrapped around the neck, as well as the nature of the clothes themselves.
Behind the scenes always Amer
Was the difficulty of the character in its form or in its details?
The difficulty of the character lies in presenting her with the utmost seriousness without laughing, and I do not deny my feeling of great concern regarding this part during preparation, as she is a person concerned with discipline in all its details, in addition to the huge responsibility that she bears.
Are there features that combine “Lulba” and “Jandil Flower”?
Some of the features include that I gave myself to art just as “Zahra” gave herself to science, insistence on success, kindness of heart and compassion.
But weren’t you afraid of bringing up an important issue such as education in the Ramadan racing season?
All of us work hard and strive to appear in the best image that we present to the public, but the idea of ensuring success was not for us, as we worked hard and left the rest to God Almighty.
The work is the second that brings you together with Mustafa Shaaban and director Magdy Al-Hawari?
Indeed, it is the second work that brings me together with Mustafa Shaaban, but it is the first on television. Our first meeting was in the cinema through the movie “The Ostrich and the Peacock”, which is still what I saw for the first time in years, where he talks in the same way and the smile always does not leave his face. distinct.
The work presented special cases for children of determination and who suffer from bullying because of Vitiligo?
In fact, I was pleased that the work shed light on those important matters, which society must get used to, and deal with them in an elegant manner. In fact, I am once morest bullying, and I am affected by those who suffer from Vitiligo, as it is not a contagious disease, and I consider the scene that brought me together with a Vitiligo patient as one of the most beautiful scenes I have seen, and I was genuinely excited regarding it. I visit their private associations in secret, sit with them, sing and play, and I am very happy when I am with them, for I am fortunate that the series has shed light on them.
What reactions did you get to the role, especially following you returned to the drama once more?
It was very strong and made me happy, as it is evidence of the character’s success, as the series managed to touch on an issue of interest to the audience, as they called me “Mays Zahra” in the street, meaning that they forgot “Lebleba” and united with the character, and sometimes they played me in the name of the character, and I will not forget The happiness that appeared on the features of the cleaner in front of my house, where I recognized him when I was returning from filming at half past six in the morning, and I found him calling me once, “Mays Zahra,” and I was overwhelmed with joy.
I also like to make it clear that I did not stay away from TV drama, but I am less regarding presenting it. In my entire artistic life, I presented 3 series, 2 of them with Professor Adel Imam and the third with director Magdy El Hawary. Cinema is the closest to my heart, and I do not have many series on TV, so I agreed this year On presenting television drama to monitor the series is an important issue, which is the issue of education.
How were the scenes inside the series, especially with the Corona virus?
The scenes were very nice and filled with feelings of intimacy, love and a beautiful soul. As for Corona and the difficulties of filming, we forgot the story of Corona.. There were some who were keen to prevent corona during filming and others not, because the least filming day was regarding 50 students inside the studio, as for If the photography is inside the school, there are regarding 1,000 students there, so I leave it to God.
And what regarding the song that you presented within the work events?
I was surprised by Majdi Al-Hawari asking me to present a song within the events following the series was shown to me, on the condition that I am satisfied with it, so we agreed that it would be a song for my country with the children; Because I wanted to present a patriotic song before, so that Ammar Al-Shari’i, before his death, composed a patriotic song for me from the words of Sayed Hijab, but circumstances did not help me to film it. It was recorded before filming, and I am so happy that it became a patriotic song among my 268 songs.
And with the birthday of the leader approaching, what do you say to him?
Every year and you are good, our leader and teacher, you are always on my mind during filming, and I learned a lot from you and we are still waiting for your appearance on the screen, I love you very much, it is the reason why I entered the TV drama when I presented with him the series “Saheb Al Saada” in 2014, and then “Mamoun and Partners” In 2016, despite being comedic acts, they provided lessons to citizens, which is repeated with “Dima Amer”.
