2022/05/01
It’s 03:10 am
Island Bay | Follow Favorite
Stardom is not an easy matter, as it has many requirements in order to maintain it and continue at the same pace of the large masses of fans.
The artist Shukri Sarhan is a big star in the history of Egyptian cinema. If you take a quick look at the list of the 100 most important films in cinema, you will find that Shukri has the largest share in this list with his films and masterpieces that he presented.
Shukri Sarhan was the first lover of women, but it seems that this was not common in the artistic community, many artists were complaining regarding him, and they also refused to kiss him.
Director Kamal Attia tells that during the filming of the movie “The Criminal,” which starred Samira Ahmed, Shukri Sarhan and Mahmoud El Meligy, Samira Ahmed complained to him regarding Shukri’s personal behavior with her, and when he spoke to Shukri, he told him that he was doing so in good faith because he wanted to approach her in the matter of marrying her.
At the time, Attia summoned Samira Ahmed, and told her: “Samira, tell him that you are married.” Shukri Sarhan became angry because Samira refused to kiss him in one of the scenes, and that director Kamal Attia refused to kiss and hugged her to his chest. This emotion of the viewer?”
In the movie “A Date with Life”, Faten Hamama refused to kiss Shukri Sarhan, but in the movie “Struggle in the Valley” she kissed Omar Sharif before he was her husband, so Shukri Sarhan came out and expressed his anger in the magazine “Ahl al-Fan” 1954, and at that time Omar responded to him Sharif and said that the issue is different in their film, and Faten responded and said: “I ask him an excuse because he did not watch the movie and the kiss was only on the cheek.”
And she added, “He said that my kiss to Omar Sharif was the first kiss, and this is not true. In “The Hearts of People” with Anwar and my grandfather, I was kissed, taking into account the limits and restrictions that I set for myself, and the fact is that the director in “Struggle in the Valley”, Youssef Chahine was brilliant to the point of He portrayed the kiss as real and sexy, even though there was nothing in it and it was only on the cheek.
