You are now following the news of a hot scene and hysterical screaming of Cinderella Soad Hosni with Rushdi Abaza in this forbidden movie.. And the director did not stop filming until the end.! And now with the details
Riyadh – Ruwayda bin Abbas – has been and will always be Souad Hosni, the Cinderella that will not be repeated.
How regarding if you sit in front of the TV screen and see her beauty, the magic of her eyes, her lightness of shadow, her cheerful spirit and her sweet voice.
Cinderella of the Arab screen, whose features were mixed with innocence, naughty, maturity and romance, which enabled her to present all roles in many films, including: Small on Love – Well of Deprivation – Hassan and Naima – Free of Mind from Zuzu – A Stranger in My House – Love in the Dungeon – Date Over dinner – Shafiqa, Metwally and many others. Approximately 85 films have been presented to Egyptian cinema, all of them are great films.
The late first screen boy Rushdi Abaza fell in love with her while they were filming the movie “Sunset and Sunrise.” After the filming of one of the scenes in the movie and behind the scenes, and in a surprising scene for all those who were behind the scenes, “Rushdi Abaza” kneeled in front of her, telling her: “I love you.” “But because Rushdi Abaza is known for his fantasies, especially with female artists, Souad did not believe him and started laughing, expressing her happiness with his words, but she did not take him seriously. But this matter was repeated for the second time, and during his second meeting with her in the movie “Lost Love”, Also, following completing filming one of the work scenes, Rushdi Abaza got down on his knees in front of Cinderella for the second time, and told her: “I love you.” This is despite the presence of the beautiful woman with the most beautiful eyes in the Middle East Zubaida Tharwat with them in the scenes of the work, but Souad Hosni is She always grabs the attention of the camera and the hearts of everyone around her, to respond to Rushdi Abaza for help from the director of the film “Henry Barakat”: “Hit me, Barakat.. Rushdi will lead me.”
The strong friendship between Muharram Fouad and Soad Hosni was strengthened following they stood together in front of the camera for the first time in the movie “Hassan and Naima”, and the relationship developed for the better, following their participation together for the second time in the movie “Without a date”.
But because of Muharram Fouad’s preoccupation with his work and Soad Hosni’s preoccupation with her work, the relationship between them was cut off and many years passed without them seeing each other, but he hurriedly entered the courtyard of one of the huge hotels and Soad Hosni was there by chance in an attempt to get a new job, and The disease had exhausted her and completely changed her features, especially following she had been exposed to an abnormally high weight. Muharram Fouad did not notice her because of her completely changed appearance.
But she rushed behind him and called him and extended her hand to shake his hand, but his reaction was shocking to her, as he marveled at her boldness with him as if he knew her even though he did not remember the features of this face in front of him at all.
And when she said to him, “How are you, Muharram”, he asked her in amazement, saying, “No, I don’t care… who are you?” So she took off her black glasses that she had always worn to hide the dark circles under her eyes and tears ran down her cheeks in grief over her beauty, which had collapsed to such a degree. And she said, “I don’t know Naima, Hassan.
Here, Muharram Fouad was very embarrassed, but he consoled her and justified his great preoccupation with her, which made him unable to focus on anything. Sixth, Apartment “6A” in Stewart Tower building in central London, where the body of the late artist was found dumped from the balcony of the house where she was living with her friend “Nadia Yousry”.
